12 Delightfully Freaky Horror Movies From the 1960s

You ’ve seenNight of the Living Dead , Psycho , and Rosemary ’s Baby . But have you seen a pre - Star TrekWilliam Shatnerbeing chased by a succubus in a movie take entirely in Esperanto ? Or a made - in - Japan ( with a non - Japanese mould ) foreign tool feature with the swagger stem song ever ? Read on !

12) Incubus (1966)

Leslie Stevens , the creator of sci - fi seriesThe Outer Limits , publish and place this , shall we say , conversation piece ; it boast black - and - whitened filming by future three - time Oscar winner Conrad Hall , an sincere jumper cable performance byfuture Captain Kirk William Shatner , and a script indite entirely inEsperanto(“the external spoken language ” ) . summate to that a plot about tempt succubi who hound for hellbound soul around a flow blessed with witching powers , and you ’ve got a movie that is mind - bollocks up in concept while actually being pretty terrible in carrying out . Fifty - four years after its release , it ’s secure to say there ’s no other movie like Incubus — nor ( perhaps gratefully ) will there ever be .

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11) What Ever Happened to Baby Jane? (1962)

There ’s no supernatural threat in this fabled team - up of Hollywood divasBette DavisandJoan Crawford , play sisters whose disruptive family relationship transcend mere sibling competition and becomes something so twist it keel into the surreal . But What Ever Happened to Baby Jane ? , which has become a encampment classic , gets dark as hell as Davis ’ character , a John Barleycorn - soaked former baby star , arrange Crawford ’s reference , a former silver screen genius who now uses a wheelchair after a mysterious car fortuity , through absolute blaze . There ’s torment , murder , some ghoulish song - and - dance routines , and imagination you will not be able-bodied to ban from your brain , possibly ever .

10) Carnival of Souls (1962)

Herk Harvey wrote , directed , and has a skittish conscientious objector - star role in this narration of little terror , said to be an divine guidance for George A. Romero’sNight of the know Deadand for certain charm itself byThe Twilight Zone . After she emerges the sole survivor of a tragic railroad car accident , aloof church organist Mary ( Candace Hilligoss ) picks up and moves to a fresh state but finds a fresh start is hardly in the card . She ca n’t shake the intuitive feeling that something malevolent is stalking her every move , or cypher out why she ’s drawn to an abandoned carnival marquee just outside of town . The fact that Carnival of Souls was made on an radical - down budget is really a skilful thing — its cruder technological aspects only heighten its waking - nightmare quality . A feeling of dread clings to every frame .

9) The Green Slime (1968)

Kinji Fukasaku ( a versatile director , equally known for his yakuza epics as he was for 2000 ’s ultra - violent cult classicBattle Royale ) directed this Japan - U.S. cobalt - product that begins with astronaut setting out to blow up a rogue asteroid before it carry off Earth . Their missionary post becomes something far weird when a spongelike alien nitty-gritty follows them back to their space station — then start to mutate into screamy monsters that are ( quite obviously ) people in galosh suits flinging tentacles around . The urgently jangly motif call ( “ What can it be , what is the reason ? Is this the end of all that breathes ? Is it just something in your drumhead , will you believe it when you ’re dead ? Green sliiiiime ! ” ) preps you forthe delicious cheeseflower to come , but you still may not be ready for it .

8) The Masque of the Red Death (1964)

In the early to mid-1960s , music director Roger Cormanand ace Vincent Price boil out several moving picture based on the works ofEdgar Allan Poe . The Masque of the Red Death is maybe the most scar from a revulsion viewpoint , particularly since it concern the spread of a hideous plague . The dependably great Price plays the fell Prince Prospero ; his name perfectly aligns with his lavish , Satan - blessed life-style , which is in arrant contrast to the poor citizenry who live in the village he lords over . When the dreaded disease appears , the prince shuts himself and a gaggle of nobleman inside his castle for a debauched staycation , but you just ca n’t break off the Red Death , who party - crash just in fourth dimension to check that everyone who deserves it meets a gruesome fate . The story is set in medieval times , but the yield design — stuffed with luridly bright colors and trippy monstrosity - outs — is a psychedelic delight .

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7) Planet of the Vampires (1965)

Italian revulsion master Mario Bavatakes one of his sci - fi detours for this unsettling tale of distance travelers who maneuver to Aura , an uncharted major planet , to resolve a strange distress call — days before Alien ’s doomed crew would contract a likewise ill - advise mission . The moving-picture show ’s title kind of gives the game away , but it ferment out that Aura is home to supernatural beings who ’re open of manipulating dead soundbox ( among their other talents ) . Seems they ’ve been spending quite a moment of time trying to hitch a drive off nimbus — sooner to a more populated planet , full of impertinent Modern physical structure , with a landscape that is n’t quite so riddled with the bone of their premature victims . “ Directed by Mario Bava”means ensure eye confect , and between the costumes ( so many integrated jump suit ! ) , the disingenuous inflammation ( chief coloring material galore ) , and the stylize place pattern ( with a haze automobile on overdrive ) , Planet of the Vampires does not let down .

6) The Plague of the Zombies (1966)

Legendary gothic revulsion purveyors Hammerproduced multiple Frankenstein and Dracula films in the sixties , but we ’re singling out macabre submission The Plague of the Zombies because it ’s a pre - Night of the surviving Dead entry in a genre that continues to endure . beat by a series of end in his village , a Doctor of the Church contacts his wise man for aid ; the one-time medico shortly arrives with his pretty daughter ( Diane Clare ) , who catches the middle of the local gallant ( John Carson ) . As The Plague of the Zombies cautions , wherever there ’s a plenteous guy wire with an unwholesome interest in “ voodoo ” ( 1966 British movie = not incisively culturally sensitive ) , walk corpse will soon follow . A crucial graveyard scene , which run across multiple ghouls creep up through the grime , absolutely captures the exquisite affright of being pursued by something very behind - moving ; it also offer a schoolbook demo on why you should always go for the head when you ’re trying to fend off the undead .

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5) At Midnight I’ll Take Your Soul (1964)

Filmmaker José Mojica Marins — known far and extensive by horror fans by the name of his alter ego , Coffin Joe — launch himself into exigent notoriety with what ’s consideredBrazil ’s first horror flick . It ’s the downcast tarradiddle of an undertaker named Zé do Caixão , or Coffin Joe , whose quest to discover a suitable cleaning woman to bear what he believes will be his supernaturally talented child conduct him down a very moody path . Clad in Coffin Joe ’s signature top hat and mantle , Mojica Marins joyfully rips up the scene of his own movie . But even though Coffin Joe is a beastly , bullying menace throughout , that glorious title — which is realllly more of a terror — drops a pretty bold hint about his circumstances .

4) Spider Baby (1968)

The full title of Jack Hill ’s pitch - pitch-dark comedy is Spider Baby , or The disturbed Story Ever Told , and the movie more than lives up . It ’s about the Merrye family , all of whom ache from a upset so singular it ’s named for them : “ Merrye Syndrome . ” Basically , it think you depart aging in reverse once you polish off your tween years , eventually transform into a feral , sub - human kind of animate being . They ’ve been keeping to themselves , round the occasional inauspicious delivery person here and there , but difficulty eventually arrives when some devouring but otherwise “ normal ” removed relations thrust ahead their elbow room into Merryes ’ summation mansion . Big fault . The cast features repulsion iconsLon Chaney Jr.andSid Haig , butthe standout lineament is Virginia , played by Jill Banner , whose nickname is “ Spider Baby ” because not only does she love spiders , she acts a lot like one too , which is indeed as worrying as it sounds .

3) Village of the Damned (1960)

In a bizarre incident , a town ’s entire universe suddenly passes out cold — only to revive a few minute later on . Not long after , every woman within the right age range realizes she ’s knocked up , a worrisome development to say the least , and things only get worse once the tyke are born and mature at an accelerated rate into pallid - blond , emotionless , telepathic , hive - minded little monsters . Oh yes , and they ’re also homicidal lunatic . Their parent are hurl into the uncomfortable situation of fear their own offspring , and then into the even ickier position of need to destroy them all . Spooky shaver are now a horror motion-picture show image , but these radiate - eyed imp are among the OGs , and they ’re just as alarming now , even 60 years after making their entry .

2) The Gruesome Twosome (1967)

Exploitation masterHerschell Gordon Lewis , also known as the “ Godfather of Gore , ” cranked out several future cult movies in the 1960s , including Two Thousand Maniacs!,Color Me Blood Red , and the immortal Blood Feast . But The Gruesome Twosome is a particularly off - the - wall entry , even for Lewis . It ’s about a sweet sure-enough lady who runs a wig shop out of her house , which is also occupied by her childlike adult son and “ Napoleon , ” her pet stuffed leopard . To make a little extra money , she rents out a room in the house to local college girls . Just kidding ! That ’s just how she entice wise heads to supply her “ 100 percent human tomentum wig . ” Gruesome is right there in the name , and with Lewis behind the crystalline lens , you know the scalping scenes are locomote to be gushing with fake blood the color of burnished - red poster paint . You also have a go at it there ’s going to be dread acting , a cheerful tone despite all the exaggerated violence , and some glorious plot of land tangent . Who ’s up for a rock n ’ roll beach party ?

1) Eyes Without a Face (1960)

Georges Franju ’s elegant body - horror masterpiece is remarkably lightheaded on gore , considering it ’s about a Doctor of the Church ( Pierre Brasseur ) who sends his distaff accomplice ( Alida Valli ) out to nobble beautiful women , searching for an unwilling boldness - transplantation donor for his disfigured daughter , Christiane ( Edith Scob ) . After multiple failed surgeries , Christiane set out to lose her nous , feeling monumental guiltiness over the idle woman and depression over having to hide out and pretend to be utter , unable to say her fiancé she ’s actually alert . Adding to the atmosphere of eery madness , Christiane spend most of the movie wear out a vacuous white masque , freezing her face in an expressionless stare that ’s far more haunting than any scar could ever be .

https://gizmodo.com/the-30-weirdest-horror-movies-of-the-1970s-1788049588

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Caught between this world, and the next: Carnival of Souls