The always excellentTony Zhou of Every Frame a Paintingtakes a riveting look at why some films resonate with us by explain what the medium film goer thinks is unaccountable . Take Drive . Anyone who figure the film get it on it looked beautiful and felt animated . Why ? It ’s the simple quadrant system .
Top , down , left and correct can sometimes act as different scenes during the same take , we ’re unknowingly following multiple perspectives unfold before our optic just because there ’s so much substance place on where a character is place upright . Watch the account below .
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